Wednesday, April 8, 2009

Kissing The Sky

Painting sunflowers was an assignment a few weeks ago in the acrylic/oil class I teach. This was a demo painting starting out with very simple paper cut out-like color shapes on a Mars Black painted stretched canvas. You can see some of the black peeking out. I think this helps to bump up the brightness of the colors. After I was finished with the paper cut outs, the sunflowers were taking on the look of a paint by numbers painting. But as I progressed to refine by softening edges and blending colors, that look was dampened. I am always challenged with big blue skies, but I like this one...praise be Brilliant Blue by Utrecht and Cobalt Teal by Liquitex plus some warm colors towards the right lower corner. I like growing the tall 12 footer sunflowers but the stubbies are kinda cool also.

20 comments:

  1. Before I read the text, I looked at the painting and said to myself, ooh... those black edges are sweet. Black canvas eh? clever. Kind of reminded me of the ink resist - gouache thing we used to do in school.

    A few years back, I planted a little forest of (100+) 12 tall sunflowers in my backyard. It was spectacular, but boy, come autumn, it was back breaking work ripping out the dead "trees". Now my backyard is a free for all jungle, but no sunflowers.

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  2. Such a virtual sunflower David,The composition and treatment of painting is fantastic.

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  3. Terry: I figured you for a fellow 12' sunflower-planting geek but jeez, 100+?!

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  4. Hi David,

    I sat staring at this tonight. It's hard to do the best sunflower painting, but I think you've done it. Everything is just right. The colour of the sky and the flowers, the shapes, the energy. I see what the black does to the edges, and it's great.

    Take care,

    Barbara

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  5. Hi David,
    I really like the reflective glow inside several of the flowers - and the negative spaces created by the flowers against that big blue sky. I will have to remember the black canvas for when I start painting with oils! :-)

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  6. Hey Dave . . .Been lurking here but commenting infrequently. What is it about sunflowers that keeps us so fascinated with em? Simplicity? This is a great subject, but surprisingly difficult to bring to 'life.' It must be the yellow, eh? Nice jawb, Boss!

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  7. That's good to hear Barbara, and I'll tell you why. For the second year straight, I have had my acrylic /oil painting class paint sea shells that I hand out to them. In class last month my demo went so bad that I painted right over it (in class!). I failed last year as well. Now I'm a two year sea shell painting loser! Your comment on my sunflower painting is timely!

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  8. Mike: Read my reply to Barbara's comment...I'm a two time seashell painting loser, so it's good that I at least got these sunflowers right!

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  9. They're alive! These jump off the board and grab the eyes by the root(z). Color, object proximity, POV - dynamic and not just another sunflower painting.

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  10. Joanne: I forgot to respond to you!...sorry! I have been told that Karen Jurick starts a lot of her paintings on black canvas.

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  11. There are so many sunflower paintings - yet this one yanked my eyeballs right into it. Maybe the sky cause it's so well painted? The flowers are lively, seems like they're walking! Really like it a bunch!

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  12. Sandy: I think my secret ingredient for the sky is cobalt tiel. It's a very lively color and I notice that one of my fav. artists, Collen Page, uses a similar color a lot for his skies.

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  13. I love the abstract qualities of this, as well as the color.

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  14. Hi David,
    Your work always inspire me a lot.
    i am also a abstract painter and a faculty member of j j institute of applied art, mumbai.please visit my blog www.krishnapulkundwar.blogspot.com
    great work keep it up,

    take care

    krishna pulkundwar, mumbai, india

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  15. Krishna, Thank you fellow art teacher. I certainly will visit your blog.

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